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    by ANGELA ARDS

    See below for background and related information.

    Each generation must out of relative obscurity discover its mission, fulfill it, or betray it.

    *********--Frantz Fanon,
    The Wretched of the Earth

    I have stood in a meeting with hundreds of youngsters and joined in while they sang, "Ain't Gonna Let Nobody Turn Me Around." It's not just a song; it is resolve. A few minutes later, I have seen those same youngsters refuse to turn around before a pugnacious Bull Connor in command of men armed with power hoses. These songs bind us together, give us courage together, help us march together.

    *********--Martin Luther King Jr.,
    Why We Can't Wait

    "You'll turn around if they put you in jail," a young black man quips to a peer as counselor LaTosha Brown belts out the classic freedom song.

    It's the kickoff of the 21st Century Youth Leadership Movement's annual winter summit, held last December at Tuskegee University in Alabama. In 1985 former SNCC activists and their children founded 21st Century on the anniversary of the Selma marches, which ushered in the 1965 Voting Rights Act. Three times a year the group convenes camps to teach movement history to a generation with little appreciation of its accomplishments. They've heard of sit-ins but little of SNCC. Media soundbites provide piecemeal knowledge of Malcolm X and Martin Luther King, but who was Ella Baker? 21st Century seeks to fill in the gaps before this generation slips through. Yet the paradoxical pull of preparing for the future by building a bridge to the past reveals just how wide the chasm has grown.

    "When spirits got low, the people would sing," Brown explains: "The one thing we did right/Was the day we started to fight/Keep your eyes on the prize/Oh, Lord." Her rich contralto, all by itself, sounds like the blended harmonies of Sweet Honey in the Rock, but it's not stirring this crowd of 150 Southern youth. Two fresh-faced assistants bound on stage to join in like cheerleaders at a pep rally. Most of the others, however, take their cues from the older teens, slouched in their seats in an exaggerated posture of cool repose. Brown hits closer to their sensibilities when she resorts to funk. "Say it loud," she calls. "I'm black and I'm proud," they respond. But a brash cry from the back of the room speaks more to their hearts. "Can we sing some Tupac?" Another cracks, "Y'all wanna hear some Busta Rhymes?"

    By the weekend's close, 21st Century co-founder Rose Sanders is voicing a sentiment activists who work with young people increasingly share. "Without hip-hop," says Sanders, 53, "I don't see how we can connect with today's youth."

    In Hiphop America, cultural critic Nelson George writes that this post-civil ...
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    By Evan Rogers

    "Again, it is not purposeful censorship. It is just that you don't make it to those positions. That includes the left (what is called the left), as well as the right. Unless you have been adequately socialized and trained so that there are some thoughts you just don't have, because if you did have them, you wouldn't be there."


    -Noam Chomsky on "What Makes Media Mainstream"

    A couple of weeks ago I read an op-ed piece at BlackElectorate.com called Hip Hop Goes to Ludacris Limits by Elisa Cramer. It was the typical rappers are the root of all evil in Black America-type of editorial that has become all too common in recent years. While I myself have been critical at times of the lyrical content and imagery of certain hip-hop "acts", I always try to avoid the perils of reducing the negativity that permeates my beloved culture to the actions of a few selfish and misguided individuals. On the contrary, the problems that pervade hip-hop ...

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    Evan Rogers
    Staff Columnist

    President Rogers: Mr. Speaker, Vice-President Fourtou, members of the big five, distinguished rappers, and fellow consumers: It gives me great pleasure to present to you my State of the Hip-Hop Union address this evening. I am certain that after hearing my ...

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